Hours With No Edges · Part Seven · 8 min read

What Staying Looks Like

Nolan didn’t say yes.

He couldn’t have gotten the word out clean if he’d tried, and anyway yes was the wrong instrument—yes was a thing you said, and what he had to give wasn’t a thing he could say. So he gave it the only way he had. He reached under the counter for the ring of keys, and he came out from behind the desk—the second time in his life he’d done it for this man, the second time he’d broken the one line that kept him safe—and he crossed the lobby to the breakfast room and unlocked the dark door and held it open, the way he had the first time.

Except the first time he’d done it for Simon, to give a wrecked man somewhere to be. This time he did it for himself too, and that was the difference, and it was the whole difference.

The room was the same ugly room. The chairs were up on the tables, legs in the air. The fluorescents along the far wall buzzed their flat white when Nolan hit the one switch. The coffee machine on the side counter had been left running by somebody on the last shift, and it hummed and ticked to itself in the corner, brewing nothing, the way those machines never fully stop. It smelled of cleaner and old coffee. It was the least romantic room in the building, and somewhere in the last months it had become the only room either of them had.

They took the same two chairs down and set them at right angles, not across. Nolan had set them that way the first night without thinking about why, and he set them that way again, and the sameness of it was a kind of language.

Simon sat. He didn’t reach for charm. He’d left it somewhere on the stairs and not gone back for it.

“I missed you,” he said. “That’s the start of it. I don’t have a clean way to say the rest.” He turned the words over like they were heavy and unfamiliar in his hands, which they were; this wasn’t a language he was fluent in. “My life is a mess to run alongside. My schedule’s a joke. I’m in a different city four nights out of seven and I own an apartment I couldn’t tell you the color of the walls in. I can’t offer you normal. I’d be lying if I sat here and told you I knew how to do normal, and I’m done lying to you—I did enough of that to myself on the stairs for one night.”

He looked at the humming machine, then back. “But I know what I’ve been doing. I’ve been making you into another place I pass through. A good one. The best one. But still a place—somewhere I touch down and leave, a thing I do between the things I do. And you’re not that. You stopped being that a long time before I let myself notice. I don’t want to keep doing it. That’s the truest thing I’ve got, and it isn’t pretty, and it doesn’t come with a plan attached. I don’t have the plan yet. I just know I don’t want to keep passing through you.”

It was Nolan’s turn, and Nolan had nothing that would come.

This was the most exposed he had ever been—more than the boxes, more than the breakfast room the first time, more than the pulse he’d let Simon feel under his cuff—because all of that had been Nolan letting himself be seen, and this was Nolan being asked to speak, to reach back, to put a true thing of his own into the air across from a true thing of Simon’s. And the block came down.

It wasn’t the chosen kind. It was the worst kind, the same one that had stood in the lobby an hour ago and lied to Simon in Nolan’s own voice. It locked his throat. The words he wanted—and he wanted them, he could feel the shape of them, he had things to say and for once in his life he wanted with his whole body to say them—sat behind it and would not pass.

But this time was not the last time.

This time there was no counter between them, no crowd, no misreading. This time Simon did the thing he’d always done, the thing he’d failed to do exactly once, an hour ago, when it cost them both—he waited. He sat in the bad light and watched Nolan fight and didn’t take the fight for a wall. He knew the difference now. He’d been taught it the hard way, on the stairs, and he would not get it wrong twice.

“Take your time,” Simon said. His voice stayed even. “I’ve got nothing but time, in here. I’m not going anywhere until you’ve said it. However long that is.”

And because Simon waited—because the block only ever held when someone was pulling on the other side of it, and Simon wasn’t pulling, Simon was just standing there with all the time in the world—the lock eased. Not all at once. Nolan got the first word, and then the next, the way you get up a steep grade in low gear.

“I’m—” The catch. He stayed in it. Simon stayed in it with him. “—moving to days.”

It landed in the room, and Nolan watched it land.

Here was the test, though Nolan hadn’t built it as one; it just was one. The old Simon—the lobby Simon, the man who turned everything light—would have made the joke. So much for the night shift. Or he’d have done the logistics, the calendar in his head already solving for it, when do you start, what days, treating Nolan’s leaving as a scheduling problem between two people who’d found each other convenient at a particular desk at a particular hour. Either of those would have told Nolan what he was to Simon—a fixture, a thing reliably found in a known location, a good place.

Simon did neither.

Something crossed his face that he didn’t hide—the cost of it, the loss of the thing he’d had, the desk where Nolan would always be, gone—and he let Nolan see the cost, and then he said, “Good.”

He meant it. That was the part. He said it the way you say a true thing that hurts you, with the hurt left in.

“That’s good, Nolan. That’s the thing you wanted. Days. People. A life that isn’t upside down.” His jaw worked. “It costs me the only version of you I knew how to find. And it’s still good, and I’m still glad, because if I were only in this for the desk—if what I wanted was a reliable man at a reliable counter at one in the morning—then I’d be sitting here trying to talk you out of it right now. I’m not. I want you to have the daylight. I just also—” the plain man, reaching for the plain word “—want to be in some of it.”

And that was the thing that moved Nolan out of his chair.

It wasn’t a decision, exactly—more the last brick coming out of a wall he’d spent two years building and the last months quietly taking down without admitting it, so that when it went there was nothing left holding the rest up. He’d spent his whole life not reaching. Letting himself be reached for, on his best days—the sleeve, the pulse under the cuff, the allowing. But reaching was the thing he didn’t do, the thing that cost too much, the thing that could be refused.

He reached.

He stood, and crossed the right angle between their chairs, and Simon looked up at him with the captain gone and the charm gone and nothing on his face but the plain hope of someone who’d said everything he had and was waiting to learn what it bought—and Nolan bent and kissed him.

It wasn’t a cinematic kiss. Neither of them had a cinematic kiss left in them; it was past four in the morning, and they’d both been broken open and put back together wrong-side-out over the course of one night, and what they had was tired and careful and certain. Nolan’s hand found the side of Simon’s jaw, the jaw that had worked all night to hold words level, and steadied it. Simon went still under it. He’d given this up—Nolan could feel the jolt go through him, the particular shock of a thing you’ve grieved arriving back in your hands. The coffee machine hummed in the corner, brewing nothing. The fluorescents buzzed. It was the least romantic room in the building, and the kiss in it wasn’t hungry and wasn’t the beginning of hunger; it was a yes, finally, in the only grammar that had never once failed Nolan—not the words, never the words, but the hand, the lean, the choosing to close a distance instead of guarding it.

It felt less like an ending than a door unlocked from the inside.

When it ended—and it ended the way careful things end, slowly, by degrees, neither of them in a hurry to be the one who pulled back—Nolan stayed where he was, his forehead close to Simon’s, and didn’t say anything, because there was nothing that needed saying, and for once the not-saying wasn’t a wall or a dam or a failure. It was just the quiet—the fourth kind, the one with two people in it, that you could sit inside instead of behind, except now they were both inside it on purpose, with the door shut and the lights bad and the machine humming, and no one passing through.

Outside the window the field was still dark. Dawn was an hour off, maybe more. They had that long, at least, before the daylight came and the world started asking them what they were going to do about all of this.

For now there was the room, and the two of them in it, and that was the whole of what staying looked like—not a promise, not a plan, not a cure, just one man who’d stopped moving and one who’d finally reached, choosing to stay in a bad-lit room longer than either of them had to.